The play 'To Mee Navech' is a courtroom Drama and the author has used the technique of flashback scenes for narration. This calls for frequent shuttling between the Court Room the present and the various other scenes from the past. The operational problems in actually depicting this on stage were daunting and the first Director hit upon a solution that was considered novel in those days. He divided the stage in two parts, and used two separate curtains to cover them. These curtains would go up and down alternately and cover and uncover the two halves as required. This enabled the stage behind the stage behind the closed half curtain to be set while the narrative progressed on the other half of the stage.

A few years later, the rights to 'To Mee Navech' passed into the hands of Atre Theatres. The owner of this Company, the playwright Mr. Atre insisted on a new style of presentation. Panshikar applied himself to the problem and came up with a true winner the 'Revolving Stage'. After conceiving the idea, he made a model. The stage was painstakingly fabricated by Mr. Mhadba Mistry at his 'Vishwas Engineering Works' Kolhapur. He was ably assisted by Mr. Shamrao Salokhe and Mr. Rajaram Chavan. This is the world's first portable Revolving stage. The credit for this invention goes to Prabhakar Panshikar and thereby to Marathi Theatre.

1966 - Natya Sampada hit upon its first success with 'Ashrunchi Zaali Phule', a play written by Prof. Vasant Kanetkar. Panshikar designed the 'Sliding Stage' for this play and further enriched the process of technical development of Marathi Theatre.

1967 - Panshikar produced a Musical play 'Katyar Kaljat Ghusli', written and directed by Mr. Purushottam Darvhekar. Panshikar designed a 'Triple Revolving Stage' specially for it.